Lighting in Design November-December 2016

Ed Space

A dvances in technology frequently cause upheaval and can have great impact: electronic access to information on traditional printed media, libraries and librarians; machine automation on human workers; new technological goods on the environment; drones on warfare; LEDs on incandescents - the list is endless. In this issue of Lighting in Design we consider another … in a world of driverless cars will there be any need for the type of street lighting we currently require for visibility? It is an interesting question and one Paul Tarricone put to several lighting specialists. Their responses, though diverse, point to the conclusion that though street lighting professionals are happily not yet on the technology ‘hit list’ they could be in for some very real changes. Sticking to the street light theme whether or not for cars with drivers, Johnny Chang andTim Patel of Littelfuse highlight the importance of protecting outdoor street lighting fixtures from the damaging effects of lightning induced surges. Given the storms we have had in recent weeks in Gauteng, this is an especially relevant article. Krynauw Nel, designer of the well-known Malapa structure built to protect the Malapa cave site from the elements, is the architect responsible for the architectural design of Waterfall Wilds centre. While it cannot lay claim to such lofty status as that of Malapa, Waterfall Wilds, like the site structure, is designed for – and succeeds in having – minimal impact on the environment. It is different from other developments in the Waterfall area in that it does not ‘stand out’. Created around a plant nursery as its principal attraction, it feels distinctly South African and its blurring boundaries of landscape and façade enhance its back-to-earth feel. João Viegas of Pamboukian Lightdesign, responsible for the illumination of Segera Retreat on the Laikipia Plateau in Kenya and acutely aware of the effect of light on the nightscape, used minimal light when planning for this centre. At night, the internal lighting of the retail outlets is visible through the glazed sections of the external façade and breaks it to create attractive lantern-like light that does not impact on the environment. The ambient lighting is warm and comfortable and the fittings designed to limit glare. Façade lighting is focused onto stone walls and a visual boundary is created for those patrons enjoying a sunset evening by the uplighting of an occasional Acacia along the edge of the property. The external pole lighting in the parking areas combines natural and modern to offer excellent visibility and dark sky friendly light. All- in-all the lighting at Waterfall Wilds is simple and effective, and succeeds in enhancing rather than detracting from its immediate environment. It is very hard indeed to believe that we have come to the end of yet another year and that this is our final issue of 2016. Adel, Carin and I thank readers and advertisers alike for your support and wish you all a well-deserved end of year break, safe travels over the holiday season if you are going away and good health and prosperity for 2017.

Till next year!

Editor: Karen Grant (crownmag@crown.co.za) Advertising manager: Carin Hannay (carinh@crown.co.za)

Layout: Adel JvR Bothma Circulation: Karen Smith Cover: TIM Pendant by Bomma and available from Euro Nouveau (Photograph Martin Chum) Published by Crown Publications cc PO Box 140, Bedfordview, 2008 - Tel: +27 (0)11 622 4770 Fax: +27 (0)11 615 6108 - Website: www.crown.co.za

ABC 3 rd quarter: 3 625 Printed by: Tandym Print All issues of Lighting in Design can be viewed on our website. Visit www.lightingindesignmagazine.co.za

1

LiD NOV/DEC 2016