Lighting in Design Q1 2020

A nod to Victorian architecture in the hallway via a faux pressed steel ceiling is lit by concealed LED strip lighting. LiD:What challenges did you encounter on the project and how were they overcome? GH: The client requestedminimal use of downlights so alternative means of lighting were explored. Us- ing concealed lighting for the open truss roofs and where downlights were used, they were grouped in clusters of double or triple fittings. Glare was also a consideration, so the downlights and light sources were selected with this in mind. LiD: How do you believe the lighting used in the project adds to the design? GH: By setting up a dialogue between traditional and contemporary design, which was carried through from the architecture to the lighting, a timeless aesthetic has been created. LiD: In your opinion, how important is light- ing in a residential environment? GH: Good lighting in any environment is critical. Identifying areas where specific tasks will be performed and lighting them appropriately will add to productivity and decrease fatigue and eye strain. As our homes have become areas of both work and relaxation, this needs to be considered. Areas for relaxation should be cosy and gently lit by concealed light sources and free-standing lighting. LiD: Looking back at the completed project, what are your thoughts? GH: Because the design was driven by the archi- tects and client and the lighting evolved from there, the choice of fittings remains valid and up to date. With the evolution of the LED lighting, better light sources are available and the existing LEDs can be upgraded at any stage. LiD:Which products were installed? GH: • Delta Light Grid in ZB – off shutter concrete soffits. • Astro Nena and Anton wall lights main and chil- dren’s en suite. • Nordlux MIB pendants – guest en suite. • Spazio Fresh all over spotlight – sides of beams.

PROJECTTEAM Architecture & interior design: Neilmarie Architects (Neil Franks and Marie Middleton) Lighting: Newport Lighting (Guy Harris) Photography: Johann Lourens

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LiD Q1 - 2020